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20_08

If you drink, then edit, your a bloody idiot.

Continuing with the theme of editing drafts, I bring you this slogan. Yes, clearly there's been some trial and error going on, and I'm learning stupendously along the way.
I figured other budding Aussie writers might get a laugh out of this, but if you're outside Australia the context might be lost. It's a spoof of an iconic Australian ad for TAC. The original text is "If you drink, then drive, you're a bloody idiot."
I put it on a variety of stuff like stickers, a key ring, mugs, and a mouse pad. I couldn't resist the coaster, to serve as a handy reminder one can see through the base of their Shaz Merlot glass. Or perhaps whisky - if you're the unfortunate soul lumped with editing my MS in future. Of course, the whisky might even come from me. :)

Click here to check them out... or just have a giggle.

19_10

Perspective

Today I saw a woman sitting on the beach with her face glued to a magazine. The pages had pictures of other women having fun at other beaches...

19_09

The Write on Wednesday Spark - The Nature of Place

This week's writing exercise from InkPaperPen:
Write about a particular natural geography, a natural place or space close to your heart. Tell us about the weather, the landform , the creatures who live there, what the place means to you and why. You can write prose fiction, poetry, non-fiction and/or a photographic narrative. You might mix the landscape with a personal story. Wherever the prompt take you...Let us peek into your place.


Nowhere's nowhere...


"Mum."
"Quiet, honey, it's the adults' turn to speak."
I spat the bush fly off my lips and swatted around my face. "Mum, I need to go to the toilet."
Mum looked at me, paused, and turned away. Whatever words she had, she forgot to say them. The intense afternoon sun glared at me from behind her profile, and I shifted to stay in her shadow.

Mum and Dad were speaking to an old friend. As the friend's canoe rocked in the shallows of the river behind them, my desperation grew worse.
 "When are we going back to camp, Mum?"

Camp was in the middle of nowhere on the banks of the stunning Macalister River. It might be in the middle of nowhere, but at least it had a three foot wide tent housing a portable toilet seat with a biodegradable bag hanging from it. Camp was also on a section of river where, carved into the rocks, natural water slides were coated in slimy green moss, protecting the bum of your bathers.

However, after a long drive from camp, we were in Nowhere's nowhere.

"You'll just have to go in the bushes."

My sharp huff didn't disturb the fly patrolling my chin. My eyes drifted across the rough-cut stones, up the greyish sandbanks, and to the small cliff that hedged the river. High along the ridge were the only bushes my mum could be referring to.

I set off up the cliff, climbing from grass clump to grass clump. With my hands busy clutching tufts for dear life, the best I could do to swat the flies was blink. Why couldn't we be like normal families? Why was it that our holidays involved deadly bush tics and heat stroke? Was it normal to have fork lightning blast a hole in your accomodation? I just want to go to a toilet! Why couldn't we go on an aeroplane to Noosa? It's the eighties, dammit!
I stood up and dusted the dirt from my palms and arms. 

And I forgot the flies, and I forgot my thoughts.

In front of me, long grass grew over a gentle mound in a perfect circular clearing. The trees practically hugged each other to keep a tight wall around it. In the beautiful space within, hundreds of orange Monarch butterflies flitted in the air.

I walked into the cloud of butterflies, palms up and fingers reaching. I lowered each foot carefully; I blinked to prevent them landing in my eyes. My heart filled with the level of wonder at this world that makes you feel ageless, even as a ten year old.

I remained in the giant fluttering sphere until I couldn't stand it any longer.

I really had to pee.

Laughing with joy, I crouched down on that very spot, looking up at the blue sky spotted with such brilliant, orange, brief little lives. As I pulled one of my white socks off, I decided it was the grandest toilet in the world.
~

Write On Wednesdays


19_03

Which way is up?

Do you meditate? I do. Well, on and off for a while now. Usually in bursts, interjected with the opposite - substantial periods of a mentally distracted lifestyle. In fact, you could call it a stuffstyle - too much analyzing stuff, pondering stuff, stressing about stuff, and wondering what will be the stuff I do with my life.

I generally experience my consciousness as an acceptable bracket within the much wider sliding scale of the human experience. A scale, which I imagine, is between a paper bag of sausage and a zen master teleporting their way out of their final stint in this physical reality.

At the end closer to the butcher shop is the disconnection from true self and the myriad of trickle-down effects that this devastatingly underrated spiritual faux-pas inflicts on the human race. When I disconnect from my true self, I lose sight of my goals and end up wasting time invested in activities that I think I should be doing. I become susceptible to underlying stress that affects me physically and mentally, even though I'm still overall a happy person. 'Important mental stuff' becomes the focus of every minute, such as work, research, everyday stresses, and the artistic project I'm aiming to finish by Friday, when realistically it needs 6 months and a team of five to help me.
As I shift further toward life as an uninterrupted procession of thoughts, I become what feels like a floating mind that hovers around 5 feet four inches off the ground, with little sense of my soul or the neglected body that drags beneath it. The mind floats up from the bed in the morning, floats into the home office, boots up the computer [yes, somehow] and glares more intensely than the monitor. It leaves the computer only a few times throughout the day for hygiene purposes - ie. it dunks itself in caffeine. In the final stage of the process, the floating mind gravitates closer and closer to the monitor and attempts to mind-meld Vulcan-style with the computer. To the floating mind, this final upload of self seems a logical merger, as all the mind's life, work, communications, and busy montage of over-activities have transferred entirely to the digital realm. Life couldn't be more perfect... but wait - what's that stench of rotting corpse?


Ever so thankfully, at this point, there is always an intervention of some kind. There's a defiant protest and shocked denial as each spongy lump of suctioned brain is plied off the monitor by the mind's dedicated sponsor [my loving partner]. I return to my body and use it to kick, scream, and blaspheme. I bow out of the mental race. I sit still, away from the computer. I even go outside and exercise. I eat wonderful home-cooked meals instead of astronaut food. I go to the toilet instead of using the astronaut - oh... never mind. I meditate and allow myself to truly drift off into space. I remove all thoughts. Most of them just come from other thoughts, anyway. I reconnect with myself again, and thank my loving sponsor dearly.
 I return to the preferable end of my relatively liveable bracket in the scale of human consciousness. Here I find mindfulness, physical calm, mental exuberance, energy, positivity, heightened awareness, balanced activity and inner peace. The sum of these cultivate a genuine space for creativity, wisdom and personal growth to cascade. Ideas and personal revelations explode like fireworks, one popping into the next, a continual illumination of everything that is truly important for me to see. Some call this being connected.
Only through recognition of true self, can I develop recognition of true purpose. An adopted purpose is really someone else's life. To live someone else's life is a form of death. With meditation and the art of simply being, I have come to experience an amazing side to the inner world, which is the force that drives my outer world and keeps me in check.
There is even what some call synchronicity, where many things just collectively go right. We have often heard of the adage - when a person follows their true goals, the right people and opportunities appear in their life at the right time. Some people would consider this surrealism. There are many people who think 'things going wrong' is the norm for reality. If this were the case, the universe would have started with a big bang, followed by a self-manifested slew of everything going wrong, and then - with an unfathomably infinite drop-jaw expression - imploded shortly after. 'Everything going wrong' cannot be the order of the universe, and therefore nor the individual – only 'everything going' can. The right or wrong is up to us. :)
~

18_10

Shortcuts...

I never noticed the irony of this shortcut’s name until I spent a good ten minutes fixated on it. It’s called Shortcut to Writing, which links to, self-evidently, my writing folder. This tiny yellow rectangle of pixels has become the virtual keeper of all my dreams, and storage to my half-baked short stories, novel first draft, novella, other novel outlines, play scripts, character sketches, the occasional computer game concept and poorly named notepad waffling in sub-folders each called New Folder. The projects may be diverse, but they are all genetically related—most of them are inflicted with stunted development.

As I muster up the focus and drive to continue editing, I’m faced with the reality that despite what the pixels tell me, there is no Shortcut to Writing.



18_07

Art must...

Art must prevail.
Otherwise there would be no means
for the critics to express their creativity.

18_03

Aussies. We're all fined, thanks.

I used to work in in Carlton, Melbourne. Some days I drove to work, and I would park outside my office in one of the many metered spots stitching the sides of the roads in the business district. The parking was metered for one to two hours, and the patrolling inspectors were, and still are, numerous. It was here, during my years in Carlton, marching to the beat of a grey gadget on a grey stick with my money in it, that I spawned an idea for a short film. At first, I was so infuriated every time another white ticket appeared stuck to my windscreen, that I was sure this was the time that I - along with an unwitting cast of my friends - was going to make the film. But I didn't. I just played it in my head each time a ticket appeared, and it made me feel a whole lot better.

The short film starts on the stone-wall eyes of a parking inspector. He stands on the street corner outside my office and peruses the cars that fill every park. He has returned to the area to hunt his next victim. He assesses the herd, and hones in on what he knows is the weakest animal. It is the silver sedan, with only a few minutes to live, according to the parking meter. He waits, stone-walls a black sports car that has just parked in the foreground, and stone-walls the owner who clinks coins in the meter as if there is somehow something wrong with doing the right thing in front of him. The inspector checks his watch. The owner of the silver sedan is a photographer. She is held, boarded up in a nearby boardroom [yes, that is why it is called a boardroom]. Her client cannot remember that he requested the model in the shots to have her hair up and all hell breaks loose.

Meanwhile, the parking inspector prepares to strike. He beelines to the car. He glances at the meter if only to confirm the car's fate to the universe, but a presence appears beside him and it forces him to look up. For once, it is the parking inspector who is startled. There, standing in his turf, is another parking inspector. She stone-walls him. She has her ticket machine ready and moves in for the kill. His kill. He assesses his chances in a fight, but something distracts him over her navy blue shoulder. At the end of the street is another parking inspector. This one stands like an A-frame, casting long, lanky legs of shadow down the road toward them from the sun that is setting behind him. Soon it will be after 6.00pm, and there will be no more prey for the predators. This third inspector rhythmically smacks his ticket machine against the palm of his other hand, to the soundtrack of West Side Story. From a nearby laneway, we hear multiple sounds of good walking shoes clopping heavily against the various chunks of alley pavement, and three more inspectors appear. They stand five feet away from the car and they are primed to fight.

From the back end of the street, from up basement stairs, pouring out of those small, practical windows on the sides of buildings, twenty more inspectors flood in. A navy sedan screeches to a halt in the middle of the road and another inspector jumps out from the car. One more pounces on his car and slaps a ticket on it for illegal parking. Yet all eyes remain on the silver kill, and they all see it only for themselves. The first inspector makes his move. The ticket peels out from his machine. He holds it high in the air above himself for the gathering to see. He is an astronaut, and he is about to ram his flag into his moon.
The only sound, the only movement, to break the freeze across the entire street is the feverous fluttering in the wind of the tiny white ticket. He suspends it further above his head, then brings it swiftly down toward the windscreen of the silver sedan. The flag doesn't make it to the moon. A brawl of blue breaks out. It forms a planet around the car like a loose ball of wool that continually entangles and reshapes itself. Arms with fists fly out and back in like solar flares, ticket machines clash together and ricochet off concrete, duco and heads. The punching turns to kicking, the kicking turns to biting. The biting becomes ferocious, rabid, and endless - and when that happens, it becomes something else. As the sun sinks past six o'clock in the sky, the greedy mob have turned on themselves and have eaten each other until there is not even the ticket left. The photographer, red-faced and puffing, sprints into the scene and stops dead in her tracks on the corner of the street. Her body becomes a statue, her heart a demolition ball beating out of her chest. She stares gob-smacked at the scene for well over a minute. She raises her camera lens to the watery glaze of her eye and takes the photograph that, tomorrow morning, the country will wake up to.

Clearly this is a light-hearted fictional story, reflecting the frustration that many in the general public feel with the increasing over-regulation of our lives. Parking inspectors don't really eat themselves or necessarily move to the beat of West Side Story. I don't believe they all have stone-wall faces, even though in my years of coming across them I have never seen one who doesn't. I don't believe parking inspectors should be assaulted for giving tickets anymore than I would believe a person should be assaulted for going over their meter time. However this story raised an interesting point for me.

Today, people experience indignation and anger when faced with a parking fine, because they are being treated like a criminal, and not because the majority are intentionally cheating the system, but because our lives cannot and will not fit the system, and enormous revenue is being made by catching us out. We are therefore in the conundrum where we cannot change the nature of society, and we have come to believe we cannot change the fact that we'll get a bafflingly disproportionate fine for being 5 minutes late to our car, no matter how much money we have paid in parking over the year. I would like to meet a parking inspector who has never been 10 minutes late to anything in any given month. Perhaps there is some planet where everything happens perfectly like clockwork, where we all function in perfect time slots of 1-2 hours, where nobody interacts with each other or with other things and therefore incur no circumstances out of one's control. But ours is not that planet. Why should we accept a system that pretends we are and then profits off the truth?

Some respond with 'just don't park illegally and you won't get fined' to any questioning of the current system. I've read comments like this in response to extremely informative articles about bureaucratic over-regulation in Australia, and the corrupting effects of allowing local bureaus to directly profit from the issuing of penalties. The moral 'don't do the wrong thing and you won't get punished' is a valid export from our childhood moral education, but as we mature it should always come with the adult responsibility of keeping an informed mind and a watchful eye on what constitutes wrong and what constitutes fair punishment. We must also consider the issue in a broader community context rather than from a self-righteous perspective. To ignore such responsibilities by giving over all power and decision-making in regulating our lives to bureaucracies could lead to the infantalising of the Australian population by the state's hand and by our own.

So how do we reform the current parking system to reflect more fairly the nature of social life, while "ensuring safe and fair use of Victoria's roads for everyone’s benefit" as it is described on the Local Government Victoria's website? Of course one important step is to improve our public transport services so they are more comfortable, reliable, accessible and indeed better than using a car. When that happens, there will be a considerable increase in people opting for it.

In terms of our parking system, why not have a service where the user has the opportunity to pre-pay money into a parking fee account, well in advance? This way, the money is already there, and they only pay for the time they use. Money is not wasted by the user having to over-pay a meter in order to offset the chance of being delayed.

A solution to the issue of time-limited parking, which  is necessary to enable sharing of scarce parking, is to allow the user to pay for a limited annual allowance of overtime, which creates [dare I suggest] a margin of flexibility for the everyday well-meaning citizen. It means that a person could be saved a few hundred dollars a year and not be treated like a criminal because they got stuck in an elevator, or they helped a stranger get to emergency, or they could not leave their sick child alone. Once they have used up their grace period they would be subject to the risk of fines again, and it would clearly be in their best interests to save their overtime for such emergencies. This step alone would ease the social tension surrounding parking fines by reversing the emerging steel-capped boot attitude that Australia must not allow community realism and humane considerations to get in the way of government revenue. The other massively important change is that revenue raised from penalties should no longer be kept by the local councils, as penalties should have the sole purpose of maintaining civil peace, not profits. The very fact that the parking system profits so disproportionately via the punishment of community points to the fact that there is something wrong with the system, not something wrong with the community.

In the current environment of continually increasing over-regulation of our lives and the invention of ever more penalties, license fees and permission fees for everything we do, why is the Australian public acquiescing to it, and why do we give the bureaucratic system the free ticket to do whatever they want? They're certainly not giving it to us.

13_05

Neon Festival of Independent Theatre kicks off at the MTC

What a fabulous opportunity to see some inspiring and provocative independent theatre works in Melbourne. The MTC is hosting five productions for the NEON Festival, plus free NEON Extra events, conversations, workshops and more.
The first production, Menagerie, starts tonight and runs until the 26 May 2013. Tickets for the shows are highly accessible at $25 each, and you can see all five shows for only $100.
"Menagerie is a new production based on the extraordinary life and work of one of the giants of the American stage, Tennessee Williams. DANIEL SCHLUSSER ENSEMBLE has built an exciting reputation for exploding the classics onto the contemporary stage with a unique sensibility and style. This award-winning company kicks off the inaugural NEON season with its most ambitious and potent work yet." —MTC

I'm also very excited to share that I have a place in one of the workshops for NEON EXTRA Insights for Independents. These free workshops, along with NEON EXTRA Conversations, are held by industry leaders and are an exceptional gift to emerging theatre makers. Unfortunately, the workshops are booked out (yes, I should have told you about it earlier!), but NEON Conversations are open to the public and require no booking. Visit NEON to download a calendar of the upcoming shows and check out what's on!
~

13_02

Getting Wild with the Wheeler Centre, Gala 2013!

On Feb 9th, The Wheeler Centre are beginning their year with a Gala night dedicated to Where The Wild Things Are, by Maurice Sendak. This treasured tale is celebrating its 50th birthday this year, and out of the murky shadows will come poets, dramatists, essayists, fiction writers, journalists and lyricists to perform and weave words from their inner monsters, drawing on the inspiration the Wild Things have brought to us all. Sounds like it'll be a very wild night at The Melbourne Town Hall! Tickets are $20/$12 concession, and all profits go to the Indigenous Literacy Foundation. For more information, including the line-up of wild peeps attending, visit the Wheeler Centre.

The Wheeler Centre's Gala, 2013

13_01

Spotlight On: Dionne Lister, self-published author.


Author Dionne Lister is receiving fabulous reviews for her debut book, Shadows of The Realm. Her following of keen readers is growing strong! I hear she's already tapping away at the next instalment in her series, The Circle of Talia, and plans for the next iteration of her much-admired cover art is also under way.

Shadows of The Realm is a highly entertaining epic fantasy and a wonderful introduction to the multidimensional world of Talia. Its band of endearing characters crosses  all ages and species of creatures, and I had so much fun reading about their interconnected relationships and stories. I, like other Talia fans, am hanging [and begging] to see where Dionne takes us in her second book!

Dionne is not just an up-and-coming author to watch, she's a funny, down-to-earth person who loves to connect with her readers and provide inspiration for aspiring authors. In a recent post on her blog, titled:
What’s Worked in my Self-Publishing Journey so Far, she shares advice from her journey as a writer and self-publisher. Definitely worth a read, and I recommend following her blog. 
Dionne is also one half of the podcasting duo behind the popular Tweep Nation, along with Amber Norrgard. Tweep Nation hosts funny, casual and informative interviews with a range of authors and other special guests. I find myself entertained by her posts and podcasts as well as her books. 
So take a look at Shadows of The Realm, and also check out her book of suspenseful, wonderfully touching short stories, Dark Spaces, while you're at it. This anthology is quite a departure in genre to her fantasy series and is excellent just the same, giving us a hint at the range of this new author.
Congratulations, Dionne! Your success with these books is well deserved and an inspiration. :)

12_10

Twitter's 'Whom' To Follow?

I've stumbled upon a worthy Chrome extension that will have grammar nerds short-circuiting with tears of joy. It's called 'Whom to follow for Twitter' and was created by self-described pedantic, Tom. The extension changes the name of Twitter's Who To Follow feature to...Whom to Follow. I've installed the extension, and here's a screenie:


For the Chrome version, visit here, or google for your version.
We love you, Tom! ;)

12_05

Fool's Gold.

A dear friend recently created some art for someone else's project. The brief for the art was nothing more than to emulate a style to provide the relevant atmosphere. But when I saw what she'd done, my fingers curled and I shook them to the sky.
"No!" I yelled. "They're too good! Hang on to them!"
I mean, they were really great pieces! My friend had nailed the style so well, and she'd added the heart and soul that she normally gives to her art. The result was powerful and beautiful. I jokingly told her that she could shift paths and continue creating in this style seriously. Well, I was half joking. More pressing to me was that I thought she was giving away these 'better' ideas instead of saving them for a more solid project of her own.

That was yesterday.

Today, I remembered something I told myself never to do. Never hold on to your best ideas as if they are the only ones you will ever have. Don't treat your great ideas of today as if the are the imagination's gold: rare and hard to come by. I told myself that if I start treating my creativity as a scarcity instead of an unlimited abundance in this way, then that's what it would become.

Sometimes it can be hard to remember it. For people going through a tough time with creative blocks, it can be difficult to have any faith in it. But by feeling that we are all - in our very existence - a constant channel of creativity means that we will create, share, give and let go, over and over again. We will have no choice but to put our great ideas out there for the simple and immediate purposes that they quite often sprout from. Because the future will hold barely enough time to express those great ideas to come.

All right. I have a friend to email. ;)


12_02

Write on Wednesday - Small Expectations

From Ink Paper Pen...
This week's writing prompt is:
Imagine yourself as tiny as your thumb.Where would you live? What would you do?
...and here's what I imagine would happen to me!

Small Expectations


Nobody else notices.
Not even me at first.

I mean, that's a huge serviette holder, I tell myself. HUGE.

It's one of those things, those mundane objects, so mundane that it's been chosen by a small town to be made into a giant statue in the utter conviction that no other town would care less to make a giant serviette holder.
We're home to the Giant Serviette Holder. We are unique!

So that theory lasts as long as it takes me to realise I'm analysing the Giant Serviette Holder from where I sit on the fat lip of the Giant Coffee Cup. Same town. The same cafeteria. Yep, even the same table. Home to the Giant Coffee Cup.

I'm blinking, finally, but perhaps over-staring. If you stare at something hard enough, does it just...seem awfully big?

I look down to where a bacon strip extends for half a mile, a pink undulating road crisp with boulders of salt and streaked with long, luscious gutters of fat. Surely the road less travelled, Mr. Peck. The end of the porky road, like a busted bridge, falls into nothing. Only, off the edge of a white plate.

A pudgy mountain of yellow edges the bacon road, lightly quivering, the way I should be, if it wasn't for my propensity for delayed reaction. Yes, undetectable to the standard human eye, scrambled egg does, in fact, quiver.

How did I become so small? I have a memory from the moment before, the thing I did to cause me to shrink to the size of a fake nail. But alas, for some reason the memory is too big and overwhelming to fit in my tiny brain. I have to make new tiny memories.

I remember the serviette holder. I remember the quivering scrambled egg. This is going to take a long time.

I jump down the side of the coffee cup, practically slashing my face open on the sugar grains lining the saucer. But I'm good at smelling sugar. I can remember something small and inconsequential like that. This isn't sugar.

On the table, over the edge of the amazingly not-all-that-smooth surface of porcelain I'm standing on, I see the sachet, ripped open at one end and lying there like a sleeping bag for a giant.

Salt.

Who's ever put salt in their coffee? Has anyone on the planet even tried it? No, how would a caffeine addict manage that, even with the jitters of a drunken surgeon.

Well, I can't say I remember doing it. But I will say: don't ever, ever, add salt to your coffee!



Write On Wednesdays 

Write on Wednesday - Possessing Beauty

What a wonderful writing prompt we have this week, from InkPaperPen:

Write about a collection. Write about something you or someone you know, collects. Think about the "why" behind the collection - why is it important to collect this particular thing? How does it make the person feel to add another piece to their collection? Is the group of objects there to be seen, to be studied or simply kept together? Write a real life story or a piece of fiction. Wherever the prompt takes you...Keep your post on the short side: up to 500 words OR a 5 minute stream of consciousness exercise. Link your finished piece to the list and begin popping by the other links. Oh, and enjoy!
~

Clippings

Beth crossed her hands neatly and rest them on her scrapbook on the table. Outside, the groundsman pruned the roses that edged the pathways. Beth could see Cherie making her way slowly, but adamantly, toward him on her walker. Beth smiled and reminded herself to look out the window again in a few minutes. She enjoyed watching their exchange.

"I'm sorry to keep you waiting, Beth. It's taking me a long time to do my rounds today."

"That's fine, Kathy." Beth beamed with love, because her patience was one of the many little gifts she gave people, and it made her feel good to give to others.

"Henry believes I have his pills mixed up again. It's made a mess of my morning." Kathy winked.

Beth smiled, knowing Henry was really a favorite with all the nurses at Dalkeith Nursing Home. "I guess we're your children."

"I wouldn't go as far as calling you all kids, but some do test me." Kathy chuckled as she rolled her eyes. "Anyway, here's the scissors and the sticky tape you asked for."

"Thanks, Kathy."

Kathy remained, watching over Beth's shoulder. Meticulously, Beth cut out an article from the morning's newspaper and taped it in a fresh page of her scrapbook.

"Who's Mary Wallace?"

"She's one of my children," said Beth. "Mary always wanted to become a judge, and she's finally been appointed. I'd like to think I played a role in helping her achieve this, but I'm proud of her just the same."

"Wow! May I see your scrapbook? Are these your children?" Kathy flipped through the pages of clippings from over the years. "They all seem so happy and successful."

"I'm proud of each and every one of them." Beth smiled and looked at her fingers as she rubbed them in her lap.
     
"Beth?"
"Yes, Kathy?"
"There's about thirty people in this book. Are you... sure they're all your children?"

"Yes." Beth extended her hands so gracefully and with such conviction in her eyes that Kathy returned the scrapbook without question.

"Okay." Kathy smiled distantly, placed a hand on Beth's shoulder, and walked away.

Beth patted the new clipping down flat and closed her book. With a cheeky grin, she read the cover to herself.

Dalkeith High, class of 1975.

Then she remembered something. Beth looked out the window at the groundsman and Cherie, and began to giggle.

 ~

Write On Wednesdays





11_11

Write on Wednesdays 24 - choose your own exercise.

Due to my crazy schedule, I've opted for the short and very sweet one-liner exercise!

Write On Wednesdays Exercise - A Great One Liner... This week you need to come up with one good line to describe a part of your day. It can be 'real life' or fiction. But it must tell us 'who did what'. It has to be an amazing line, like a tiny little paper plane that must travel a big distance (figuratively speaking) with only a few folds ... Every word in that line must earn its place, or be cut as excess baggage. Let's get thinking about each sentence as though every word counts, like working one group of muscles to show how much weight they can carry.

And here's my attempt...


Rachel wedged one of her glittered fingernails deep under another, managing to flick unsubstantial cake crumbs to her poodle, while telling me I’d lost my job.






Write On Wednesdays


Write on Wednesdays, Exercise 23

We are learning to make fire.

Aron shook his head. It's not fixed, his eyes repeated to me yet again. It was a look that was beginning to define him, here on this moon.

As I stared out the window into the black soup of space, my mind became an instant reflection of it. I shook myself to think clearly.

The atmosphere control has nothing wrong with it - according to the computer's voice as it blurted at us in the wrong language. Lately I've had to reset it to English several times a day, so that both of us can understand when some kind of warning message erupts. I didn't change it this morning. I don't know why, I just got sick of it not working. The broken atmosphere control trumped all other potential disasters on this tiny base. If we can't breathe, we are soup.

The computer blurted another foreign warning in the same soporific tone, as if we are hearing we are about to die from a learn-a-language program. I bashed open the computer panel and yanked the power out for the voice command.

"Say something, Aron."

The stress set in my face like stone, and he knew what I was asking. He smiled for the first time today, but I still could not.

"We are... learning to make fire." Aron beamed with gentle triumph, but then a single, thick tear ran down his cheek.

His words did not do what I had hoped.

I gazed down at my pajamas. Aron looked over at the coffee jug still waiting to be made. Soon, our eyes became drawn to the flickering oxygen guage. We stared, de-focused, as the needle dwindled from orange into red.






Write On Wednesdays

11_10

Write on Wednesdays, exercise 20 - 'I thought I saw...'

Write On Wednesdays Exercise 20 - Write the words " I thought I saw" at the top of your page. Set a timer for 5 minutes. Write the first words that come into your head after the prompt. Don't take you pen off the page (or fingers off the keyboard). Stop only when the buzzer rings! Do this exercise over and over if you wish. Write beyond 5 minutes if you like, you can link it up as an extra post.

I'm so glad to be able to do another WoW piece. With this one, my aim was to explore self-doubt, which I feel the phrase ‘I thought I saw’ captures so wonderfully. If anyone is keen to find out, I don’t actually know if my character is right or wrong. J 
I was more interested in exploring her emotions and her choice of actions revolving around her self-doubt. I hope you enjoy it, and feel free to give me some pointers – even down to punctuation. I haven’t edited this one very well due to time constraints, but I must admit I went beyond the five minutes... tee hee hee!

I thought I saw...

My fingers massaged the inside corners of my eyes. Surely it must be twelve-ish, I thought. Another involuntary giggle escaped my lips - Ted was on fire with his quips and comebacks tonight, and the raucous laughter from the others sparked a second wind in me. I blinked open my eyes to see the wine glass in my hand come slowly into focus. It had been empty for some time; nothing but a faint sticky red ring at the bottom and a few colours of lipstick on the rim.

I put the glass down on the splattered table cloth, stretched my knuckles, and thought about calling a taxi instead of walking home. On the long table, stacked plates were shoved to the side, where bare elbows propped up ruddy, beaming faces. Nina returned to her dining room, tears of laughter streaming down her red-hot cheeks in fine lava trails. All she could do was wave the jug of coffee at us, while she dabbed her eyes with her other sleeve and sighed. She had heard Ted from the kitchen, and she didn't mind at all that her fiancé was poking fun at her again. I thought - this time - though she gives as good as she gets, he was a bit unfair. I couldn't help but dart my eyes through the archway to the living room. Lucy was in earshot, having scampered down the carpeted stairs in her kitty slippers. As usual, it was well past her bed-time.

Drawn back to the table, I rejoined the conversation. Soon I was chuckling again, and my eyes watered effortlessly - for no reason, really. It was automatic, from seeing tears on a dear friend's face. Maybe it was just too much red wine and a very long day. Where was my phone? On the side table in the living room, I remembered. I peered through the archway again.

The most dreadful feeling rose through my nerves, so intensely it was as if I’d been lowered into another atmosphere. My whole body locked up, to the point I was afraid to turn my head for fear my neck would snap. My flagging eyelids widened into hard circles, only to see the whip of Lucy's long, red hair as she ran up the stairs. A man sat perched on the edge of the sofa. I struggled to remember his name from earlier that day. Was he a good friend of Ted and Nina? It was all I could helplessly think of.

But how should that make a difference to what I think I just saw?

"Coffee?"

I looked up at Nina, but her voice became lost in the vacuum of space that formed around me and bulged against my ear drums. A shadow fell across the room from a source I couldn't detect.

"You look like you've seen a ghost!" Nina said, without a care in the world. I wanted to cry. I was going to throw up. She squeezed my shoulder, too hard - with the grip of someone who doesn't realise how much they've drunk. She moved on to the next person beside me at the table.

I glared past Nina's lightly swaying form. Everything - right down to the weave in the fabric of her skirt - was completely vivid to me now. The stray cotton sprouting from the seam at her hip appeared as epic as a solitary tree on a hillside. Beyond it, my vision held the man just as sharply. And he had discovered this; I was now making him feel uncomfortable. I dropped my gaze to my arms in my lap, where they had remained the whole time, flattened and heavy like two sunken battleships.

Was I just seeing things? What exactly did I see?

No matter how many times I framed the question in my mind, I felt no conviction in my answer - I just didn't know for sure. You cannot be wrong about these things. I grew insatiably thirsty for something. Not water, certainly not alcohol. I just needed to know.

Surely I must be wrong. In fact, you could easily be wrong, I berated myself. If that was the case, I wanted to rewind the last few minutes, to have kept my eyes closed instead and not risk being so ridiculously, cruelly mistaken.

Coward.

I took a deep breath and steadied my voice. "Nina... what's your friend's name?" My words came out in the tone of a complete stranger, and I coughed to shake myself out of it. She looked over her shoulder to where I indicated.
"Oh - that's Matt. Remember? Ted's workmate. Why?"

"I've gotta go. I'll drop by to pick up my phone in the morning, okay? We’ll chat then."
Her neck shifted abruptly backward and her face screwed up in confusion. I let her trail after me as I walked to the front hall.

"Oh, alright…” Nina said, and then came up with her own explanation as we both reached to open the door. "You look... utterly exhausted!"

My lips pushed upward into a shallow smile and fell flat again.
"Do one thing for me, Nina. Go upstairs and check on Lucy."

"What? Why? What do you mean?"

"She was downstairs, a moment ago..."

Nina breathed sharply in, and as her eyes searched mine for some kind of context, I struggled to think what I could give.

Instead, I turned away. Feeling sick to my stomach, I knew that another second of looking into Nina's eyes would eventually feel like a lie of some kind. As I walked down her front path, my heightened nerves still felt the hard tug of her hand on my shoulder. I just needed to step back and think clearly before I said anything, I told myself, and prayed it was the right thing to do.

Nina called out into the darkness, her voice now sobered with apprehension.

"See you in the morning… and have a good sleep."




Write On Wednesdays


11_09

A Great One Liner... Write On Wednesday

This week's exercise over at Ink Paper Pen is to come up with a single sentence that packs some punch by describing a part of someone's day and telling a story [fiction or non-fiction]. *EDIT: Seeing as it's a quick exercise but a very helpful one, I've added a couple more.

I gripped the metal handle of the factory door and my knuckes instantly froze to it, just as I imagined my father's always did.
~
Lisa agreed with her mother that the sewerage drain outside the front door was an issue with her new flat, but a far more pressing one she loathed to mention was the door key glistening in the trickling, putrid water below.
~
As usual, I'm open to criticism, but please try to stick to the one liners. ;)



Write On Wednesdays


11_08

Max and his Incredible Underwater Adventures

Max wasn't here, in the grocery store, to steal the apple. He picked up a fine, glossy red one; good enough for Snow White, good enough for him. Reaching into his pocket he pulled out the other apple, the one his mum bought only minutes ago before he dropped it on the ground outside. If only it had just rolled across the asphalt, and not down into the cold stew of fallen leaves and the wrappers of yummier things. 

Mr. Tucker popped up from below the store counter, appearing like a highly detailed sock puppet. His lips tut-tutted stiffly, and Max imagined the grocer's mouth was controlled by a giant hand. Not a real one, perhaps a holographic hand. But the man's eyes didn't move from any giant holographic fingers. Instead they seemed flat pictures of themselves, cut and pasted on, with thick pen drawn over his curly lashes.

"Well?" Mr. Tucker’s fist faintly trembled and squeezed a plump kiwi fruit.

Max drifted, remembering the time he took his mum's razor and shaved a little beard on his Kiwi fruit. He returned his attention to the more immediate matter. "Well... what?"

"Are you going to pay for those?" Mr Tucker's voice crackled loud and then quiet, and loud again, like Mum's car radio. Max thought the words might have beamed out little holes in his chest.

"No." There was probably a better way of explaining the situation, but he couldn't think of it and his mum wasn't here. Yet. She would soon work out where he was - he always liked it when she did.

Max knew there were two extreme ways to express something when normal words in the middle wouldn't work. The first was to scream. The second was quite the opposite, and he believed it was a sign of his growing maturity knowing which was the most effective in a particular situation. 


He slowly sucked in air until his lungs felt like two overly pumped buggy tyres. Holding the air tight with the back of his throat, he exploded his lips wide open before clamping them shut like a cod fish, purely for effect. His cheeks puffed out and turned as red as the apples in his hands, and under the greenish tint of the flickering fluorescent lights, the grocery store magically transformed into his underwater world.

Mr. Tucker's lips drained of colour and pinched in, forming a cat's bottom. Max thought the man might be holding his breath too - in his own way, and given he was clearly very old it might be a better way than Max's. But he soon worked out the grocer was squirting short huffs of mostly air through his cat's bum and getting red-faced all on his own. Each time the man’s eyes twitched, they were looking in a new direction - probably for Max's mother.

Max felt giddy and excited, and his lips sealed tighter. Soon his mum would plunge through the door and rescue him from the seaweed monster behind the counter. She would gently pull him upward to the safety of air, with the two apples bobbing to the surface with them. He would give her the good apple, and he would eat the dropped one. The seawater would have washed it by then.

Swivelling his imaginary diver’s helmet toward the front of the store, Max felt a stone sink in his belly. The doorway remained empty, his mum was nowhere in sight and his chest was beginning to hurt. He eyed off the swollen, slightly mushed watermelons in the bargain crate and imagined his own head sitting there. Through the window beyond them, the street outside appeared a shade darker. He managed a faint frown and a little blip of air escaped his lips.

Mr. Tucker released the kiwi fruit and picked up his shiny black weapon from the counter. He boldly held the telephone like a gun to his own head, only this made Max feel frightened and Mr. Tucker grin with victory. He brought his other index finger up high and back down to the dial pad and pressed a number, his fingers punching on and off the buttons slowly, deliberately, like a little fish sucking on a pebble floor. The grocer now believed he was underwater, too. When the last number was pressed, the finger swam up to his tilted chin, and his eyes relaxed into circles of calm above.

Max's lungs desperately pumped tiny pretend breaths against the tight seal of his lips. What should he do? He had never got this far! Where was his mum?

"Hello...?" Mr. Tucker's voice boomed long and drawn into the phone, "Constable... Radcliffe?"

In one momentous pop, Max's lips burst apart, and his mouth became a quivering hole in his doomed zeppelin of a head. Air rushed out from his aching lungs to the floor as his body doubled over and deflated. The apples dropped from his hands and were still bouncing along the tiles as he practically teleported to the shop door. On the pavement outside he stepped right, but all he could see were strange faces poking out of coat collars, and umbrellas trying to flap away from the clutches of cold knuckles. Adults, dressed in all the shades of a worn-out road, were heading home to their families. Max turned and stepped left at the same time and smacked into a firm, padded shape; instantly recognisable to the entire length of his body. He wrapped his arms tight around her legs and let her rain coat fall around his shoulders.

“Mum! Where were you?” He tried to push her away a little, but her feet remained cemented and he sent himself backward instead.

“Well, Max, I’ve been waiting right here for you.” His mother glanced through the grocery window, and when her eyes returned to him, she was smiling her special grin. The one where she can see something glowing around the edges of him that she thinks is funny, even though Max is clearly not being funny at all.

“What happened to your apple, sweetie?”

Max wanted to tell her. He wanted her to feel sorry for him, to go back inside to face Mr. Tucker and come out with shiny apple, number three. But his mother hadn’t been there, she wasn’t a part of his underwater adventure anymore and without her to rescue him, the apple was just an apple. It no longer affected him as much as, say, being shipwrecked on a deserted island, or flying through the Bermuda Triangle. He felt very grown up indeed.

“I ate it,” Max lied. 

The Probability of a Trojan Hippo.

The following is my submission to [Fiction] Friday Challenge #218 at Write Anything.
Inspired by the image they provide, it's a fun exercise purely in creative flow. Oh dear - no editing allowed. :)




Somebody chopped it up. Right in front of my eyes. I reach, but my knock on wood just rings in and out of my ears. 
Someone carved up time and space, and the probability of them returning to how things were before. Quite neatly, but annoying, like a brash, not-very-puzzling pattern, as opposed to slashed, like jumbos cutting through a cloud over a delayed terminal. Life interrupted. Surely not the Butcher of Time, rather the Carpenter of Dimensions. Yes, this is their handi-work. A deviation from their plan, from their fail-safe design. Perhaps the linear lines seem dull after some time, even though their practicality is what held everything up, like cups and hiccups, and hippos under water gelled to the crust of a planet. Now it could be a pie, for all I know. Tiny little hippo snouts snorting chunky sweet custardy pleghm, the kind they just wake up one morning and have. Or is it one giant hippo with a foot snug in a custard tart? On, off. On, off. We see the yellow smudge of every fourth step, but there's no longer any evidence of the beats in-between.

I find myself grinding out dried up old custard from the grooves, so I can slot myself in them, instead. As soon as I get into the flow of one grain, I find myself going against the grain in the next. After all that effort. Now I am derailed, I need to adjust, like a clock quite happily 'being' and realising that yet another tick is needed, then for some unknown reason, a tock. Up down, Up down, tugged side-to-side, the tonal quality of happy, sad, happy, sad. Sixty mood swings a minute. 3600 bipolar blips an hour. A lifetime of bliss and pain and laughter and terror compressed, gone in sixty seconds before a new life begins. It must, it will. Time is manic, I suddenly remember. I much prefer the quiet still of the chaos I have found myself in. Chaos is so close to choice. Thankyou, I choose to sit this one out and watch. And pat this hippo, as I smile with self-content. Is that contents? Contents of self? Wait - who exactly am I?

To get a better look at myself, I take off my tool pouch and brush the sawdust off my hands and clothes.